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Thomas More, probably at the same time as the other alterations..
It described the discovery by Jack Leslau in 1976 of a concealed rebus in the Nostell painting, similar to others in the work of Hans Holbein the Younger.
In 1717 Lewis remarked on items in the painting only three inches from where the Locky signature appears today, without mentioning the Locky attribution. Paul Damon of the Laboratory of Isotope Geochemistry at the University of Arizona received for radiocarbon dating a strip of the original canvas, cut from the lower sight edge of the painting during restoration.
At that time it was taken from Well Hall, Eltham, to Yorkshire.
More than five hundred years after the disappearance of two English princes, thirteen-year-old Edward V and his younger brother, Richard, Duke of York, people still dispute and contradict what happened.
Since the princes disappeared from the Tower of London in the reign of Richard III, one side say Richard had them killed, relying on a confession made some nineteen years later by a person promptly beheaded by order of Henry VII.
The other side says it was a false confession extracted under torture. And as the turbulent history receded further back into the past, the likelihood of discovering new evidence of the true fate of the princes became more and more improbable.
But the outcome of this royal tragedy, which saw the birth of the Tudor dynasty in England, the story of its remarkable consequences and the extraordinary way in which those consequences came to be interactive and inextricably intertwined with our story, begins very simply.
He suggested a parallel between the situation of More and Boethius, whose is one of several versions that appear to be based upon a Holbein sketch in Basel (No. A modified copy by Rowland Locky hangs in the National Portrait Gallery in London.